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About the Dances:
Irish Step Dancing
Stepdancing as a modern form is descended
directly from sean nós ("old style") stepdancing. White there are
many forms of stepdancing in Ireland, such as the Connemara style
stepdancing, the style most familiar is the Munster, or southern, form,
which has been formalized by An Coimisiún le Rincí Gaelacha, which first
met in 1930. An Coimisiún was formed from a directorate of the Gaelic
League during the Modern Revival.
Irish stepdance has very precise rules about what one may
and may not do and when, but within these rules there is almost infinite
room for variety and innovation. Thus, Irish stepdancing is a vibrant and
constantly evolving art form. As a solo form, stepdances fall into two
categories: Soft shoe and hard shoe. The reel, slip jig, hornpipe
and jig are dances as well as types of Irish traditional music. The
hornpipe is a hard shoe dance as is the treble jig. The reel, slip
jig, single and jigs are soft shoe dances. The dances that have the
distinctive tap sound are hard shoe, whereas the soft shoe is more like
ballet slippers. The other distinguishing feature of Irish
stepdancing is that the dancers keep their arms by their sides to draw
attention to the footwork.
Traditional costume for the ladies and
girls feature colorful, beautiful designs from the Book of Kells and other
ancient Irish books. The lovely, bouncy curls of the girls'
hairstyle is also part of the tradition and does count in competition.
The lads are more likely to be wearing kilts or slacks.
For more about Irish stepdancing and
its history, go to this article at
Wikipedia.com.
Scottish Country Dancing
Scottish Country
Dancing is the ballroom dance of Scotland. It consists of energetic jigs
and reels and graceful strathspeys.
Generally taught and performed with the
guidelines set forth by the Royal Scottish Country Dance Society (RSCDS),
Scottish country dancing, "SCD" or "reeling" is a form of social dance
involving groups of mixed couples of dancers tracing progressive patterns
according to a predetermined choreography. SCD is often considered a type
of folk dancing although this is not strictly true - it derives from the
courtly dances of the Renaissance and, as a form of ballroom dancing,
predates the more modern styles of the quadrille as well as couple dances
like the waltz.
Most often done in organized formations
referred to as "sets", Scottish country dancing consists of three or four
couples, but some dances call for larger sets of five, six or even more
couples. The usual set shape is "longwise"---each man opposite his
partner with all the men in a line facing a similar line of women. The
leftmost man and his partner are called the "first" or "top" couple, and
sets are generally formed such that first couple is closest to the source
of music. In larger rooms several sets form a longer line running down the
hall. Other, much less common types of sets include triangular sets (three
couples on the sides of a triangle), square sets (four couples on the
sides of a square) or square sets with extra couples in the center; there
are also "round-the-room" dances for couples facing couples, groups of
three dancers facing each other, and so on.
Scottish country dances are made up of
figures of varying length, to suit the phrasing of the dance tunes. There
are various kinds of figures ranging from the very simple, such as a
couple changing places across the set giving right hands, to fairly
intricate evolutions involving three or four couples at the same time.
These figures are combined to form a sequence, which is then repeated
several times to form the complete dance. Scottish Country Dancing is
usually energetic and enthusiastic.
For more information, check out the
very good article on
Wikipedia
Cape Breton Stepdancing
Two hundred years ago, settlers from
the Scottish Highlands and Western Islands immigrated to Cape Breton, an
isolated island off the tip of present-day Nova Scotia. They brought with
them a form of hard-shoe dance then performed in Scotland. These steps
have largely died out in the old country but have been preserved in the
kitchens and living rooms and on the dance floors of Cape Breton Island.
Similar to clogging, Irish step, and tap-dance, they are performed to
fiddle or bagpipe or even puirt-a-beul (singing without instruments).
For an interesting view from a scholar
on the history of Breton Stepdancing, read this
article.
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Founded in 1973, the have been regular
participants in the San Francisco Ethnic Dance Festival since 1977 and
were honorees in 1991. This Bay Area group has performed in the Dance
Mosaic in Palo Alto, in concerts and full-length theater productions,
outdoor events and fairs, international festivals, schools, parties,
fundraising events, weddings, and conventions. Their repertoire includes
dances dating from the 18th century to original dances devised by our own
dancers.
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